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Meredith finally throws him out, not without love. We meet his much-suffering wife Meredith (Jodie Foster), his resentful son Porter ( Anton Yelchin) and his disbelieving colleagues. A voice (later revealed to be the Beaver's) informs us this is Walter Black, a man so deep in depression, he has alienated his family and nearly destroyed his business. All of his troubles through recent years are summed up by her opening shot, of an exhausted man floating on a raft in a swimming pool, his arms wide like the crucified Christ. He was certainly the right choice for this material. I believes she knows Gibson's good side and respects his talent. It took some courage on the part of Jodie Foster to direct this film. From what I know about alcoholism, I believe he goes through personality changes, that he is content on some days and consumed by rage and madness on others, and that such changes are symptoms of the disease. Though he's responsible for his outrageous acts and statements, I think this is not the good man I have met many times. His personal life is in ruins because of the disease of alcoholism, which he is still struggling with. Yet here is another of Mel Gibson's fine performances, a reminder that he is after all a superb actor.
#Leave it to beaver youtube movie#
We go through the movie with Mel Gibson wearing a toothy beaver on his left hand, and that creates a whole lot of disbelief for us to suspend. I am not sure it is possible, or even advisable, to make a serious movie about that. I concede it is possible that a man in depression might be able to heal himself by projecting his personality into a hand puppet. "The Beaver" is almost successful, despite the premise of its screenplay, which I was simply unable to accept.